Seminar: 3.02.141 S Licence to Thrill: Espionage in British Literature and Film - Details

Seminar: 3.02.141 S Licence to Thrill: Espionage in British Literature and Film - Details

Sie sind nicht in Stud.IP angemeldet.

Allgemeine Informationen

Veranstaltungsname Seminar: 3.02.141 S Licence to Thrill: Espionage in British Literature and Film
Untertitel
Veranstaltungsnummer 3.02.141
Semester WiSe16/17
Aktuelle Anzahl der Teilnehmenden 10
erwartete Teilnehmendenanzahl 40
Heimat-Einrichtung Institut für Anglistik/Amerikanistik
Veranstaltungstyp Seminar in der Kategorie Lehre
Erster Termin Mittwoch, 19.10.2016 08:00 - 10:00, Ort: A06 0-001
Art/Form
Lehrsprache englisch

Räume und Zeiten

A06 0-001
Mittwoch: 08:00 - 10:00, wöchentlich (14x)

Studienbereiche

Modulzuordnungen

Kommentar/Beschreibung

Licence to Thrill: Espionage in British Literature and Film

"Portraits are supposed to be frightfully self-revealing, aren't they? Show what one's really like – the secret self." In Tim Fywell's ingenious TV series Cambridge Spies, H.R.H. Queen Elizabeth The Queen Mother addresses these words to her distant cousin Anthony Blunt. Little does she know, however, that Blunt – along with Kim Philby, Guy Burgess, and Donald Maclean – is part of the most notorious spy ring ever to have infiltrated the United Kingdom. The Cambridge Four, as they have come to be known, have posed a conundrum to the British public, as they had secretly betrayed and subverted precisely those pillars of society that had been built to make them thrive and succeed in life, i.e. their public school, their university, and their class-conscious, heteronormative upbringing more generally. What is it with these English gentlemen – with their conflicting selves, the public and the secret ones, with their political, sexual, and religious identities – that has caused them to become traitors to their own kind? This will be a central question of the seminar whose major aim is to examine the complex identities of secret agents in British literature and film. In so doing, the seminar will take a closer look at spy fictions and films from two very distinct historical moments: the years leading up to the First World War, which are marked by British fears of a looming German invasion, and the time of the Cold War, which is mainly characterized by an ideological and political landscape divided by the Iron Curtain.

Please read:
Banville, John. The Untouchable. Basingstoke: Macmillan, 2010. Print
Buchan, John. The Thirty-Nine Steps. Oxford: OUP, 1993. Print.
Le Carré, John. Tinker, Tailor, Soldier, Spy. London: Hodder and Stoughton, 2009. Print.
Maugham, W. Somerset. Ashenden. London: Vintage, 2000. Print. (Excerpts)

Please watch:
Another Country. Dir. Marek Kanievska. Perf. Colin Firth, Rupert Everett. Concorde, 1984. DVD.
Cambridge Spies. Dir. Tim Fywell. Perf. Tom Hollander, Toby Stephens, and Samuel West. BBC, 2003. DVD.

Anmelderegeln

Diese Veranstaltung gehört zum Anmeldeset "Anmeldung gesperrt (global)".
Erzeugt durch den Stud.IP-Support
Folgende Regeln gelten für die Anmeldung:
  • Die Anmeldung ist gesperrt.